Tag Archives: resources

The Secret Millionaire: free downloadable lesson

As a new addition to the ELT-Resourceful site, I am now adding free downloadable materials, on PDFs. Just click on the link below each picture. All comments very welcome.

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ELT Resourceful Materials- The Secret Millionaire

With a reading text about a real-life Secret Millionaire, who wanted to give something back, this lesson introduces a range of idioms to talk about wealth and poverty and gets students thinking about the gap between rich and poor, the responsibilities of those who are better off, and what it means to have someone who believes in you. There is a focus on strategies for skim reading and the lesson finishes with a writing activity where students write to someone who made a difference in their lives.

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Process writing: mixing it up

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As the name suggests, process writing is an approach to writing which focuses on the process rather than the end product. The argument goes that, just as writers in the ‘real’ world go through a process of editing and revising what they write, so should our students.

The typical structure for a process writing lesson might be:

1 Brainstorming ideas.

2 Plan the structure of the writing

3 Write first draft

4 Get feedback on first draft from teacher or peers (or self-evaluation)

5 Write second draft (and third if appropriate after feedback)

I think there is a lot to be said for taking a process approach to writing:

Feedback

Generally speaking, whatever colour ink we use and whatever correction code we use, we often might as well have not bothered marking written work. No-one reads what we’ve written on their essays. At best, they look to see how much we’ve written, and they might glance at any final comment.

For most students, once something has been written and handed in, it’s over: out of sight, out of mind. One of the great things about taking a process approach is that feedback doesn’t come at the end. It’s an intrinsic part of the writing process, and as such, there is a much better chance of some of it actually being taken on board.

Peer feedback is often used in a process approach, and that can be great both for developing students’ ability to criticise constructively and for giving a genuine sense that the learner is writing for an audience.

Students also develop their ability to self-evaluate, which is something they can go on to use independently. It chimes with that crucial part of being a good teacher- making yourself redundant.

Task repetition

Just as in speaking, repeating a task gives more opportunities to notice and appropriate new language. Through a process of drafting and redrafting, it is that much more likely that language will be acquired.

However, there are also some issues with process writing (at least if done in the traditional way outlined above):

Not all students (indeed not many at all in my experience) are very keen on brainstorming, planning, drafting and redrafting their work. An awful lot seem to want to chuck something down on paper and hand it over for you to sort out. Now, of course, part of our job is to encourage them to take more responsibility for learning, but it is nonetheless a downside that it’s such an uphill struggle (is that a mixed metaphor?)

Even if your students are enthusiastic, going through the process cycle is necessarily very time-consuming. There is also the question of how you manage to give detailed feedback on several drafts and actually get anything else done. It may work well in a pre-sessional context, with small groups and 5 hours of tuition a day, but maybe not so well in 2 x 90m a week or less.

Peer feedback can help with the time issue, but research shows that students tend to concentrate almost exclusively on lower order feedback, or focusing on surface errors like spelling and grammar. It’s hard to get students to be able to give feedback on content or organisation or discourse level stuff.

And last, but not least, traditional process writing doesn’t take account of the fact that the actual process of writing has changed dramatically since the advent of technology. People simply don’t write drafts in the same way anymore. See this interesting article from the Guardian, ‘Has Microsoft Word affected the way we work?’

Equally, tools such as spell check and grammar check have completely changed how writers deal with surface errors.

So, given the positives and the drawbacks of the process approach, what can we take from it, and how might we mix it up?

Keep it small scale

Process writing doesn’t have to be carried out on 250 word plus essays. You could focus on just a paragraph. This will make the stages move along more quickly, allows you to really drill down into the details, such as using a an effective topic sentence and giving reasons and examples, and the perfect paragraph produced can then be used as a model for further writing.

Change the staging

You don’t have to start with brainstorming ideas and planning. You could incorporate a feedback and redrafting stage into a lesson which takes a genre approach, or you could just get students writing straightaway (more ideas on this next post), and then get them to look again at what they’ve written and make changes.

More imaginative brainstorming and planning

Getting ideas and planning is a key part of successful writing, but how can we make it seem less of a chore?

Brainstorming an essay using a mindmap on the board is not a new idea, but try blu-tacking a Cuisenaire rod of a different colour to each bubble of the map. Then give groups a set of rods in the same colours and ask them to use the rods to make a visual plan of the essay. Somehow adding a visual and physical element to structuring the essay seems to engage many students more.

Or try moving from speaking to writing to get ideas. For example, if you want students to write a letter of complaint, try roleplaying a complaint first, or if it’s an informal letter, try it as a phonecall first. This should help learners to anticipate what their audience will want to know or how they might react, which should help with making the writing as effective as possible.

Change who gives feedback and how they give it

As well as the teacher or a partner, experiment with some different models. For example, a recent twitter discussion with @cerirhiannon started me thinking about using ‘carousels’. Put the students into small groups and pass round a piece of written work done by someone in the group (anonymous if preferred). Each group has to give a comment on an aspect which has not been covered by a previous group before passing the work onto the next group. This could be a good way of encouraging students to look beyond surface errors as discussed earlier.

Emphasize the audience

Learners are more likely to want to plan and draft if there is a real reason for writing the best possible text that they can. So using a real life context, such as those discussed in this recent post , can provide some genuine motivation.

Use technology more

Students may not have access to computers in class, but they probably will at home, so you can ask them to consciously use the correction features to make changes, and underline spelling or syntax that the computer has highlighted that they aren’t sure how to correct. You can then focus on these areas in class or individually.

Online corpora, or even google, can also be useful tools for students to check their intuitions about collocations. See this article for more indepth discussion of this.

And, using a screen capture tool, such as Jing, you could give verbal feedback on their writing rather than writing comments. There is a useful presentation from Russell Stannard on this here.

Add a sense of humour

The notion of process writing can be terribly earnest. You could work on the skills of correcting and redrafting by giving learners, for example, the worst job application letter in the world and asking them to rewrite it so that the person has at least SOME chance of being invited for interview.

Or give learners some real examples of writing from young native speakers. For example http://www.esher.surrey.sch.uk/Default.asp?page=172  and ask them to correct, revise and redraft.

While the traditional staging of a process writing lesson may be something you don’t want to do all the time, the principles behind it are something which could be used effectively in any lesson with a writing focus. You just need to mix it up a little.

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‘Real world’ writing activities

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‘We don’t just ‘read’ and ‘write’: we always read and write something for a particular purpose, in a particular way, in a particular time and place.’

David Barton

Outside the classroom, any writing our learners do will have a specific purpose and context. Inside the classroom, by definition, any writing is likely to be more simply for the sake of developing skills and language, and displaying those skills.

However, the difference between ‘real’ writing and display writing isn’t a binary distinction; it’s more of a continuum. Our job, as teachers, is to bring the two ends of the spectrum closer together, and help students to see the links.

How much do you know about the purposes for which your learners need to (or aspire to) write in English?

Obviously, if your learners are in an ESE (English-speaking environment), they are likely to have many pressing needs, such as form filling, work-related paper-work, emails, notes to school and so on. There are literally endless ways in which these learners can carry out real-world writing tasks, including writing to local papers, to their MPs and so on. Even in NESE contexts, learners may well need to use written English for work, especially with the growth of the internet and the increased tendency to communicate in writing.

For younger learners and most General English learners in NESE contexts, however, they may not have a current need to write in English at all, but it is still important for writing to be clearly contextualised, and have an audience. We don’t speak without any sense of who we are speaking to, and neither should we write in that way.

That said, I don’t believe that all classroom writing activities have to connect directly to the real world. The important thing is that the activity has a significance or personal value for the learners and that they know why they’re doing it. In the next few blog posts, I’d like to look more closely at some different ways to support learners in developing their writing skills, looking at genre-based and process-based approaches. All of these will, of course, have a purpose and an audience, but not necessarily an actual, immediate real-world one.

Writing for the public can, however, be extremely motivating. Below are some ideas to try, which would work with learners not in an ESE. Feel free to add anything else you’ve tried in the comments, it would be great to build up as long a list as possible:

  •  Writing to a favourite author. Many authors now have blog pages or other ways in which they can be contacted. Learners could choose their own author (which might be someone they have only read in translation), or this could be part of a class extended reading project.
  • Writing a review of a product, film or book on a website. From being a rather unnatural task, writing a review is now something that many people do regularly on sites such as Amazon.
  • Writing on behalf on victims of human rights abuse. Assuming this is appropriate in your context, this is a very real-world writing activity and could really make a difference in the world. See the Amnesty website  where you will find sample letters and advice.
  • Writing fiction for the internet. How about writing an 140 character story for Twitter [#140novel]? Or use one of the many websites where you can publish short stories, such as www.booksie.com? For younger learners, try Littlebirdtales,  where learners can create a picture story which is then emailed to specific friends and family, rather than being open to the whole internet. Or, a personal favourite, www.futureme.org.  On this site, people write letters to themselves to be delivered on a specific date in the future. Still a real audience….
  • Comments on news articles and opinion pieces. Most newspapers now have online version where readers can comment. A particularly good source is the BBC, which asks specifically for comments in the Have your Say section. For example, this article and comments on ‘Invisibility cloaks: will we ever really have them?’

 

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Ideas for taking an ’emergent’ approach to using a coursebook

Most coursebooks have an essentially structural syllabus. Each unit has a handful of language points, what Scott Thornbury refers to as ‘Grammar McNuggets’, and the assumption is that these points will be presented, practised and learnt.

As a coursebook writer, I understand why the syllabus is presented in this way. Most teachers, institutions, parents, students like to have a sense of the way ahead as a series of steps. I don’t think there’s anything wrong with this so long as:

–       We remember that what we are teaching is not necessarily what the student is learning.

–       We aim to teach the students rather than the material.

I believe that the material in a coursebook should be seen as a resource, pure and simple. It can and should be used and abused to best meet the needs of the class.

There are certain key elements we need to provide students to give them the opportunity to develop.

Input or language in context (this needs to be motivating and relevant)

Opportunity to ‘notice’ language

Clarification/consciousness raising- whether after noticing or after using (feedback)

Opportunity to use language (this also needs to be motivating and relevant and ideally personalised)

If all these elements aren’t in the coursebook (and they might be), there is no reason why we can’t adapt it to provide them.

‘Noticing’

Many coursebooks do now ask students to notice the language in a text. There are two possible problems with this. Firstly, the text may have been specially written to include these examples, and not in a very natural way. Secondly, if the text is authentic, there may only be a couple of examples.

One way of dealing with this (and it could be used for any text you want to use, not just coursebook texts) is to also use a concordance. For example, there is a text in a coursebook I’m familiar with which has some examples of the different meanings of the word ‘like’ (as a verb and as a preposition). Students are asked to find examples and decide on the meaning. This could then be extended by looking at a concordance (or a simplified version at lower levels) and deciding on the meaning of these examples before returning to the personalised practice in the coursebook. In this example, students write each other questions using both meanings and then answer each other’s questions before going on to write about a place they like and what it’s like.

‘Interlanguage’

Another example from a well known coursebook has a short text. Students are asked to underline all the examples of articles and then find examples of the rules given. An alternative might be to do the text as a dictogloss. The teacher reads the text aloud, at fairly normal speed (not slowly) and the students try to write down what they can. They then work together to recreate the text. Inevitably, if articles are a problem area, they will miss some out or use the wrong ones. They can then compare their version with the original and identify the gap in their own interlanguage.

Alternatively, or even as a follow up task, students could translate the text into their L1 and then, a few days or a week later, try to translate it back. Again, this will highlight any individual difficulties.

Task repetition

Another way to get students to ‘notice the gap’ using a coursebook activity works well with a more traditional kind of activity where students listen to a dialogue which exemplifies a particular language point.

Fans of emergent grammar might avoid these kinds of recordings like the plague, but it can work well in a kind of task based approach. This way, you begin by getting the students to improvise a similar kind of dialogue (obviously this works best if the topic is something they might actually want to talk about). You could even record these conversations if you have the technology. Then you listen to the coursebook dialogue and encourage students to notice any language in there that they could have used. Incidentally, this might not be the language the coursebook writers intended. Finally, the students carry out the dialogue again, perhaps this time with a different partner. If you have recorded the first version, you could record this too, and students could then listen to the recordings at home and note any improvements in the second version.

Task repetition has been shown to have a very positive effect on what Thornbury refers to as ‘grammaring’

I am very far from believing that everyone should be using published materials all the time. However, always starting from scratch can be very labour intensive and, I believe, requires a good deal of experience and understanding. Why not use everything that’s available, just tweaking and adapting as you go?

Incidentally, there are some fabulous ideas, perfectly applicable to published materials, in Grammar and Uncovering Grammar, both by Scott Thornbury.

Here are a few links I have found since writing the post, related to using a coursebook in a more unplugged style.

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Some thoughts on teaching and learning

Taking part in this weeks’ ELTChat (www.eltchat.com) on the future of coursebooks, has got me thinking, once again, about the seeming stand off between those that like and use coursebooks and those that hate them.

At the risk of sounding like Tony Blair ;), I’m sure there must be a third way. I’d like to explore this a bit further in subsequent posts, but to kick off I just wanted to share this set of images:

Imagine, if you will, that this first picture represents a teacher’s lesson plan. The steps could, perhaps represent the ‘target language’, the boulders and plants, other elements of the lesson that he or she intends to weave in.

This second picture could represent the experience of the lesson from one student’s point of view. They get so far up the steps, but not as far as the teacher anticipated, and one of the steps is partly missing. On the other hand, there’s a nice little collection of boulders and plants in there!

For another student, the lesson might be all about the language explicitly taught. They’ve doggedly marched up those steps- and haven’t even noticed that they’re in a garden.

And this student is enjoying the garden, but hasn’t noticed the steps. And maybe he (or she) doesn’t need to if they’re getting something out of that part of the garden…..

 Now, this metaphor has been couched in terms of a more traditional language lesson, where the teacher imagines (and I use that word advisedly) that they can decide in advance what the learners are going to learn. They can’t of course, because there is no way to stop the learners from wandering where they will in the garden, or even curling up in a sunny corner and going to sleep.

But, I would argue, even if a lesson is completely unplanned, organic and student led, it’s still going to be a different experience for every student in the class.

I wonder therefore if the key issue isn’t less about whether we’re using pre-prepared material or not, and more about what we are doing with it, or how we are helping the students to explore the material and take from it what they individually need?

Equally, teachers are all different and work in different ways and need varying levels of support. For some, I believe it will be very helpful for the coursebook to suggest what language could be highlighted in a text and provide clarification and practice. I know I learnt an awful lot about how to exploit texts from using coursebooks. But the coursebook certainly shouldn’t be used as a bible; at least I would hope any material I have written is not used this way. It’s a resource, pure and simple, just like any other resource, such as a newspaper or a recording. The only real difference is that someone has already thought about ways that you could choose to work with the material and, if you find it helpful, you could benefit from their experience and knowledge.

Use it, don’t use it, use part of it, use it in a different way… whatever you do the learners will undoubtedly be learning what they are ready to learn and what they choose to learn.

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Simple ways to differentiate materials for mixed level classes

I love this picture..they’re all eggs, but just look at the variety. And it’s the same in any class.

Differentiation can be defined as:

“….identifying and addressing the different needs, interests and abilities of all learners to give them the best possible chance of achieving their learning goals.”

(Standards Unit, Improving differentiation in business education, DfES 2004)

Differentiation is a key issue in ESOL, or teaching English to students who now live in an English speaking country. This is because, in the UK at least, classes are often extremely mixed in terms of level, and students often have what is known as a ‘spiky’ profile  (they may be pretty proficient at speaking and listening, for example, but struggle with reading and writing).

In ELT, differentiation is more often referred to as ‘teaching mixed ability’ or ‘mixed levels’. But, whatever, we call, it, the fact is that no class is ever completely homogeneous, and we all need to be thinking as much as we can about how to meet the individual needs of the students.

That said, I don’t believe in providing different worksheets for all the students and getting them to work on these individually or even in pairs. Unless the class is very small, this just stretches the teacher too thin, and it is often pretty uninspiring for the students as well.

Let’s look at some ways in which we can differentiate without having to spend hours on preparation.

1 Differentiation by outcome

Some people use differentiated outcomes on their lesson plans. For example:

By the end of the lesson all students will be able to.. most will be able to..some will be able to..

This seems quite popular in ESOL, but I personally am not hugely keen on this. It is a reminder that what you are teaching is not what it being learnt. However, it is basically a deficit model.

I would argue that it is more effective (and encouraging) to help students to assess themselves against their personal standard. One way of achieving this is to move away where possible from summative assessment towards more formative assessment. This is a big talking point in British schools at the moment. Basically, this challenges the idea that the best way to test students is by comparing them with each other. This sets up an atmosphere of competition and leads lower achieving students to conclude that they are failing. It also encourages stronger students to rigidly produce only what will get them the highest mark.

Better, surely to encourage students to self assess and to set their own targets or checklists of competencies together with the teacher?

Having promised you less preparation, I have to admit that setting individual targets, does take time and effort but, provided, that a sensible approach is taken (i.e. not asking learners who barely speak English to fill in a 6 page Individual Learning Plan), it can, I think, be well worth it.

2. Differentiation by teaching method

The activities we choose to use can also differentiate well. An activity which involves active learning and group or pair work is likely to differentiate more effectively because

–          Students can work at their own level.

–          Students can support each other and learn from each other.

Most of us have experimented with putting stronger students with weaker ones and, it has to be said, the results can vary quite a bit. Sometimes it works really well. The stronger student consolidates their knowledge by explaining to the weaker student and the weaker student feels supported.

Sometimes, however, the stronger student dominates or resents the role and/or the weaker student feels embarrassed or says nothing.

Mixing things up so that the same pairings aren’t used all the time certainly helps, but there are also some techniques you can use, such as Scribe, which I first saw in Jill Hadfield’s excellent book, Classroom Dynamics. When carrying out a small group discussion, appoint a scribe, or note taker for the group. They should only listen and take notes. After the discussion, they will feed back to the whole class.

If the strongest student is the scribe, this will prevent them from dominating, but still give them an important role and a chance to shine at the end. If a weaker student takes this role, the pressure is taken off them to produce language spontaneously, but they can prepare something to say at the end, which will provide a sense of achievement.

Questioning techniques can also be modified to provide better differentiation. Give students enough time and space to answer and nominate, by asking the question before you name the student, so it doesn’t always fall back to stronger students. Consider how easy the question is and don’t choose students who can’t answer. Use monitoring while students are working in pairs or groups to identify who can answer which question.

Ask different types of questions. A useful model is Bloom’s mastery and developmental tasks (Bloom’s taxonomy) Mastery tasks can be mastered by all learners, they are straightforward- you might ask a learner to describe something or define something. A developmental task is more stretching and requires a deep understanding. These kinds of questions might ask the students to judge or critically appraise for example.

3 Differentiation by task.

And finally, most tasks can be designed to provide either extra support, or extension to challenge more able students. This doesn’t have to mean completely new activities, just a tweak here and there.

The table below gives some examples:

Activity Type Extension activities Support strategies
Reading Select 3 new items of vocabulary, look them up in their dictionaries and write them up on the board, with definitions.Write 3 questions about the text. These can then be given to another early finisher to answer and then passed back to the original student for marking. Pre-teach vocabulary students will need to do the task and leave it on the board.Activate their previous knowledge of the topic before reading.Give students the answers in a jumbled order, with a few distractors.Make open questions multiple choice.

Break the text into sections with questions after each section and give the option of only reading 1 or 2 sections.

 

Listening When students listen for the second time to confirm their answers, give some optional extra questions as well.When taking answers on a true/false activity, ask why/why not? Pre-teach vocabulary and activate knowledge as above.Give students a chance to discuss answers before feeding back to the class. Monitor and play again if necessary.Give students the tapescript on second listening.In a gap-fill, provide some of the words needed.

 

Writing Make use of creative tasks that students can do at their own level.Use a correction code to give students a chance to self correct.Increase the word limit. Give a model or example before they start writing.Correct the draft with the student or in pairs before rewriting.Reduce the word limit.
Speaking Ask students to justify their opinionsPair higher level students together so they can really stretch themselves. Give students time to rehearse or plan their ideas.Pair weak and strong together.Elicit and practise the language they will be using beforehand

And, going back to the second point,  we can also aid differentiation by providing tasks with more open outcomes, so that students can do the same task, but each at their own level of ability.

Obviously none of these ideas is going to provide every student in the class with a 1-2-1 tailor-made course. However, I do think they can go some way towards helping to address the different needs, interests and abilities of the learners.

Please feel free to comment and add your own ideas. All gratefully received!

If you found this post useful, why not check out my e-book, The CELTA Teaching Compendium, a quick easy reference to all the teaching skills required for CELTA. 

http://the-round.com/resource/the-celta-compendium/

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