Recently there has been a focus on dealing with ‘emergent language’, rather than following a syllabus. But does this mean that coursebooks are irrelevant? Surely coursebooks are ultimately a collection of topics,texts and tasks – the bedrock of any course. In this article, recently published in English Australia Journal (29/1) I give some ideas for using coursebooks, while still allowing the teacher to facilitate and deal with emergent language. The article is based on my 2013 IATEFL talk.
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A free downloadable lesson, based around an authentic video. Selma and Kenny couldn’t be at their grandson’s wedding, so they recorded a toast- and some advice.
Suitable from PreIntermediate/A2+, the lesson starts with some discussion about marriage before students are asked to give their ‘top tips’ for a successful marriage. They then watch the video and compare Selma and Kenny’s advice with their ideas.
The video is quite easy to follow, though the couple do talk over each other at times (there is a transcript). It’s funny and quite touching.
There is then a focus on idioms connected with love and marriage, and then we looks at some of the ways Selma and Kenny use imperatives to give advice. Students can then use this language to reformulate their original pieces of advice.
Download lesson plan PDF here: ELT Resourceful – Secrets of a Long and Happy Marriage
The inspiration for the recent #eltchat on lesson planning came largely from @michaelegriffin’s post 29 statements about lesson plans. It seems that people have strong views about lesson planning, with some advocating a pure ‘jungle path’ approach (to use Jim Scrivener’s term) and others seeing benefits in planning, though not necessarily in following a plan rigidly.
The chat (05/06/13) started with two main questions posed by @shaunwilden: Is planning the same as preparedness and do we need to plan at all?
Is planning the same as preparedness?
This thread was referring to a recent talk by Underhill and Maley at IATEFL
The summary of the talk: Teacher training has tended to focus on technical preparation, yet teachers often find themselves unprepared for the human unpredictability of real lessons. This workshop aims to open up discussion on the moment-by-moment improvisation which is at the heart of teaching, and to suggest ways of developing ‘preparedness’ for the unpredictable.
@teflerinha suggested that both preparation and preparedness were important, and @efl101 wondered if planning became preparedness with experience, and similarly @josayers commented that ‘planning some lessons moves us towards being more prepared for all lessons.’
Is planning something newer teachers need to do more than experienced teachers?
There was certainly something of a consensus that newer teachers needed to spend longer planning. For example @ OUPELTGlobal ‘When I was starting my career planning helped. With experience, I needed less planning.’
However, several people also felt that getting trainee teachers to plan in detail could be counter-productive. @harrisonmike commented ‘over planning can make you less prepared ‘it isn’t going as I planned PANIC’’ and that it was a problem that ‘minute by minute planning is indoctrinated in ITT.’ @Shaunwilden agreed that ‘training courses make teachers overplan to be honest ‘ and that ‘overplanning makes one less prepared and less flexible.’
On the other hand, @teflerinha pointed out that ‘planning in ITT serves a different function than planning in real life.’ ‘planning makes you think things through.’ And @shaunwilden added ‘It’s a way of showing a trainee can analyse language, has taken on board input etc.’ And @teflerinha again ‘To get teachers/trainees to think about why they are planning each stage and how it relates to the whole- and for observers to see that thinking.’
Many people felt it was a process novice teachers had to go through. For example, @OUPELTGlobal said ‘Yes, have to admit that all the planning I did helped in later years, but it didn’t feel great at the time.’ And @pjgallantry ‘you’ve got to know the ‘rules’ of a lesson, before you can bend/break them – hence why Lesson planning is important for new Ts..’
There was also a brief discussion about the value of scripting instructions. It was agreed that this can easily be taken too far (@efl101 had seen 5 hour lesson plan completely scripted), but that it could be useful for inexperienced teachers with lower levels (@harrisonmike)
@hartle said, as a very experienced teacher, ‘My plans maybe 5 lines, but still there, as a basis.’
Does writing a plan mean you have to follow it?
@jo_cummins: said ‘I always make a lesson plan. I don’t always follow it. I often don’t even look at it.’ This seemed to be an important point, that it might be the process of writing the lesson plan that was important, rather than having it as a crutch in the lesson, which might well end up going in a very different direction, in response to the students.
@shaunwilden gave an example of how aims and objectives might change, ‘e.g.you started thinking you were going to introduce language, and then on planning realise it’s more review.’
@OUPELTGlobal asked ‘@OUPELTGlobal: Does planning inhibit sts from “interrupting” the teacher? going off the plan?’
And @jo_sayers made the point that ‘predicting actual learning is much harder than we think and we are often wildly optimistic.’
@teflerinha responded ‘Totally agree, but still useful to have an idea what we’d like to achieve, and then be flexible..’
@pjgallantry added ‘you always have to factor in ‘Factor X’ into a LP – anything from Ss being unhappy over st to teacher having a screaming headache’
@TeacherAlan1 raised an important point, asking ‘Is anyone required to show their lesson plans to admin? Or require your teachers to show them to you? This might easily influence how much teachers feel they have to follow their plans.
But @michaelegriffin made the point ‘My current thought is that lesson plans only get in the way if we let them. Ss don’t feel blocked unless T blocks.’
Can students tell (or do they care) if you have a lesson plan?
@colm_smyth ‘I guess students can tell by structure of teacher’s board work, teacher’s composure and activity transition’
@michaelegriffin ‘I think teachers sense if a teacher is prepared and that may be based on having a lesson plan’
@rliberni ‘Do ss know when things are unplanned (as opposed to unstructured)? I think they probably do’
What about planning a series of lessons?
@teflerinha commented ‘What I really DON’T like is planning a series of lessons in advance, or using last year’s because can’t respond 2 what happens’
@oupeltglobal replied ‘I agree with that. Teacher should react to the students they have – different sts & different plans’
And @cioccas ‘Can’t plan far in advance when you’re constantly changing to meet changing needs in the class.’
Post lesson planning
@efl101 asked ‘how often do you analyse/review plan after lesson 2 compare what actually happened and why and what u can learn etc?
@shaunwilden answered: ‘I did in my first few years as a teacher but then sort of fell out of the habit of noting it down’ and @hartle ‘when I 1st started teaching I did a lot. Now, I analyse what happens in class more, interactions between stds, successes.’
@efl101 responded ‘same but think it would be interesting to see if there are patterns etc. but time often prevents proper reflection’
And a great point to conclude from @mstrep: ‘Good planning makes a good teacher. Ability to improvise and adaptability make a great one’.
Other useful links
@pjgallantry shared a great visual representation of all the factors which contribute to teacher’s input, students’ input and output.
He also referred to The Secret DOS ‘s excellent recent post on lesson planning, The map is not the territory, which I won’t summarise here, but which is well worth reading.
@muranava referred us to this post by Willy Cardoso
Another relevant post is Steve Brown’s A case for anti-planning.
Dale Coulter’s post on lesson skeletons and retrospective planning
Scott Thornbury and other luminaries on the IDTI blog on How important is lesson planning?
And (if I may) my post ‘What’s the point of planning?’
Finally, @michaelegriffin gave us this link to Tessa Woodward’s book on planning lessons and courses, which he says ‘I did not enjoyed this book the first 3 times I looked at it but now love it’
A free downloadable lesson, based around an authentic audio recording from Storycorps.com, where Virginia recalls a good deed her father did during the Great Depression in America.
Suitable from PreIntermediate/A2+, the lesson starts with a short text giving some background to the Depression of the 1930s, and invites students to think about parallels with the situation in some countries today and what can, or should be done by individuals and governments.
Students then listen to the audio, which is quite short and simple, listening both for gist and specific information.
There is then a focus on narrative tenses, specifically simple past and past perfect. This could work as part of an introduction to past perfect, or as a review at higher levels. Students then try to retell Virginia’s story, using tenses appropriately, before going on to tell their own ‘good deed’ stories.
Click on the photo here, or the photo of Virginia in the lesson plan, for the link to the audio.
Download lesson plan PDF here: ELT Resourceful – A good deed
A free downloadable lesson, based around a short TED talk by Matt Cutts on how carrying out 30 day challenges helped him to improve his life.
Suitable from PreIntermediate/A2+, the lesson starts with a quick review of present perfect for experience: Have you ever + past participle?
Students then watch the video (3 minutes), which is quite simply and clearly expressed, looking at what challenges Matt carried out, and the impact these challenges had on his life.
There is a focus on some idiomatic language, and then the lesson concludes by asking students to think of some challenges they’d like to do themselves (and that they’d like to set for the teacher!)
Download PDF here: ELT Resourceful – Try something new for 30 days
In a previous post I took a look at some ideas for using a genre approach to help students with IELTS writing, Task 1. In this post, I’d like to look at some ideas for Task 2, the essay. This is obviously equally applicable to anyone with students who need to write semi-academic opinion essays.
Taking a genre approach means looking at the key features of a particular genre, and helping to raise students’ awareness of these features, and thus their ability to reproduce them.
Useful headings to consider are:
Content or communicative purpose- Layout- Organisation- Grammatical structures- Lexis/formulae
Broadly speaking, all the tasks in IELTS Part 2 have the same communicative purpose- to express your opinions on a topic of general interest. The layout will also be the same, with an introduction, paragraphs for each key idea and a conclusion.
However, the organisation will vary depending on the specific type of question. It’s really worth familiarising your students with the different types of question and how to approach them.
There are essentially three different types of questions in IELTS
1 Presenting your argument: Often phrased ‘To what extent do you agree or disagree.’
2 Balanced argument: Often phrased ‘Some people think…Others think…Discuss both these views and give your own opinion.’ Or ‘Discuss the advantages and disadvantages….and give your own opinion’
3 Problem/cause and solution: Phrasing varies, but could be ‘What do you think are the causes of these problems and what measure could be taken to solve them?’
Each of these should probably be organised slightly differently. In the first type, I’d suggest a good way of organising it could be:
- State your opinion
- A paragraph for each main point you want to make.
For the second type, you need to be less upfront about your opinion, so:
- Arguments in favour
- Arguments against (or vice versa)
- Your opinion
And for problem/solution:
- Conclusion: summary of the situation and your opinion.
Students need to be very confident about these different types and how to organise them so, rather than writing lots of essays, at least to start with, I’d suggest looking at lots of questions (and model answers).
Some possible activities once students are familiar with the three main types:
1. Look at IELTS questions (there are lots of past questions, or close facsimiles, online) and decide if they are type 1,2 or 3.
2. Take an IELTS question that is a particular type and ask students to rewrite it to make it another type.
3. Give students a model answer, and ask them to guess what the original question was.
4. Give out a model answer and get students to identify the different sections.
5. Cut up a model answer and get students to put the paragraphs in the right order (obviously this works on discourse skills as well)
6. Rewrite a model answer so that there is no paragraphing and ask them to divide it into paragraphs.
7. Rewrite a model answer so that the organisation doesn’t flow anymore, and ask students to identify the problem with it.
8. Ask students to pick out the key idea in each paragraph of a model answer.
In some of these activities we started to look at the internal organisation of the paragraphs by getting students to pick out the key idea. One way of helping students to organise a paragraph is by looking at topic sentences. These are a bit of a blunt tool, because in reality, it isn’t always as simple as any rules we can give them. However, while it may be oversimplified, the recipe of topic sentence, supporting ideas and examples isn’t a bad start for many students.
You can practice this by:
- Getting students to identify the topic sentence, sporting ideas and examples in a model answer.
- Giving them the topic sentences for each paragraph and asking them to add supporting ideas and examples.
- Removing the topic sentences from a model answer, and asking them to write what they think they were from looking at the further ideas and examples.
As with the post on IELTS Task 1, it’s worth putting in some specific practice on writing a good introduction. Careful analysis of the question will help, as we’ve seen, with organising the essay, but it should also help students to know how to start their essay.
Let’s take an example from IELTS Foundation. A good place to start is always by getting students to underline the key words:
‘People will never be willing to make the dramatic lifestyle changes needed to control climate change. For this reason, governments must force people to do so.’
To what extent do you agree or disagree?
A good introduction should explain what they understand by the question, and might give a little background information. So identifying the key words will help with pulling out what the main idea is.
Then you could ask students to choose the best introduction from a selection. Here are the choices from IELTS Foundation:
1 I think that it is very important that we should all look after our planet. After all, it is the only one we have. There are lots of small actions that we can all take such as switching off computers and televisions, rather than leaving them on standby or walking short distances rather than going in the car.
2 Nowadays, most people are aware of the threat of climate change and are willing to make small changes to the way they live. However, for the majority of people this does not include such things as giving up their car or giving up flying abroad.
3 Governments must force people to make changes or the problem of climate change will never be solved. If necessary, people who continue to pollute the planet should be sent to prison.
[The answer is 2, because it simply summarises the background situation, and students could then go on to discuss if and whether people should be forced to do these things]
Variations on this activity could include:
1 Giving a question and asking students to just write an introduction as a warmer or change of pace activity.
2 Asking students to compare these introductions in small groups and choose the best one, or make changes together to improve what they have written.
Most students seem to feel that the best way to prepare for IELTS writing is to write lots and lots of essays. However, very often there is no significant improvement from one essay to the next. Students also get very caught up in the accuracy of the language being used, when there are still some serious structural defects. Language is very important as well, and I think there’s another post in that, but getting the structure right can also make a huge difference.
A free downloadable lesson about why smiling, even when we don’t feel much like it, can actually make us happier. The lesson starts with a short video, demonstrating the impact of smiling on the ‘miserable’ people of Edinburgh. After some brief discussion, the students go on to read a text about the various scientific findings about the emotional impact of smiling. The text and task would be suitable for students preparing for IELTS, especially at a lower level, but is suitable for a General English class as well. Finally, the lesson looks at a lexical set of idioms to describe emotions, and the students are asked to discuss how different situations might make them feel.
Download PDF here: ELT Resourceful – The Science of Smiling
A free downloadable lesson based around another wonderful animated true story from http://www.storycorps.com. The conversation between a mother and daughter looks back on the family’s struggles as poor immigrants to the US, and how the daughter was inspired by her mother’s determination.
The lesson is suitable from Pre-Intermediate +/A2+, particularly because the animation helps with comprehension. After watching and listening, there is a focus on impersonal pronouns/adverbs (something, anything, everyone.nowhere etc) and a discussion task which brings in more vocabulary to describe qualities we’d like to pass onto our children. Again, this could be adapted to lower and higher levels through the choice of vocabulary.
Download PDF here: ELT Resourceful – The Icing on the Cake
As a new addition to the ELT-Resourceful site, I am now adding free downloadable materials, on PDFs. Just click on the link below each picture. All comments very welcome.
With a reading text about a real-life Secret Millionaire, who wanted to give something back, this lesson introduces a range of idioms to talk about wealth and poverty and gets students thinking about the gap between rich and poor, the responsibilities of those who are better off, and what it means to have someone who believes in you. There is a focus on strategies for skim reading and the lesson finishes with a writing activity where students write to someone who made a difference in their lives.
As the name suggests, process writing is an approach to writing which focuses on the process rather than the end product. The argument goes that, just as writers in the ‘real’ world go through a process of editing and revising what they write, so should our students.
The typical structure for a process writing lesson might be:
1 Brainstorming ideas.
2 Plan the structure of the writing
3 Write first draft
4 Get feedback on first draft from teacher or peers (or self-evaluation)
5 Write second draft (and third if appropriate after feedback)
I think there is a lot to be said for taking a process approach to writing:
Generally speaking, whatever colour ink we use and whatever correction code we use, we often might as well have not bothered marking written work. No-one reads what we’ve written on their essays. At best, they look to see how much we’ve written, and they might glance at any final comment.
For most students, once something has been written and handed in, it’s over: out of sight, out of mind. One of the great things about taking a process approach is that feedback doesn’t come at the end. It’s an intrinsic part of the writing process, and as such, there is a much better chance of some of it actually being taken on board.
Peer feedback is often used in a process approach, and that can be great both for developing students’ ability to criticise constructively and for giving a genuine sense that the learner is writing for an audience.
Students also develop their ability to self-evaluate, which is something they can go on to use independently. It chimes with that crucial part of being a good teacher- making yourself redundant.
Just as in speaking, repeating a task gives more opportunities to notice and appropriate new language. Through a process of drafting and redrafting, it is that much more likely that language will be acquired.
However, there are also some issues with process writing (at least if done in the traditional way outlined above):
Not all students (indeed not many at all in my experience) are very keen on brainstorming, planning, drafting and redrafting their work. An awful lot seem to want to chuck something down on paper and hand it over for you to sort out. Now, of course, part of our job is to encourage them to take more responsibility for learning, but it is nonetheless a downside that it’s such an uphill struggle (is that a mixed metaphor?)
Even if your students are enthusiastic, going through the process cycle is necessarily very time-consuming. There is also the question of how you manage to give detailed feedback on several drafts and actually get anything else done. It may work well in a pre-sessional context, with small groups and 5 hours of tuition a day, but maybe not so well in 2 x 90m a week or less.
Peer feedback can help with the time issue, but research shows that students tend to concentrate almost exclusively on lower order feedback, or focusing on surface errors like spelling and grammar. It’s hard to get students to be able to give feedback on content or organisation or discourse level stuff.
And last, but not least, traditional process writing doesn’t take account of the fact that the actual process of writing has changed dramatically since the advent of technology. People simply don’t write drafts in the same way anymore. See this interesting article from the Guardian, ‘Has Microsoft Word affected the way we work?’
Equally, tools such as spell check and grammar check have completely changed how writers deal with surface errors.
So, given the positives and the drawbacks of the process approach, what can we take from it, and how might we mix it up?
Keep it small scale
Process writing doesn’t have to be carried out on 250 word plus essays. You could focus on just a paragraph. This will make the stages move along more quickly, allows you to really drill down into the details, such as using a an effective topic sentence and giving reasons and examples, and the perfect paragraph produced can then be used as a model for further writing.
Change the staging
You don’t have to start with brainstorming ideas and planning. You could incorporate a feedback and redrafting stage into a lesson which takes a genre approach, or you could just get students writing straightaway (more ideas on this next post), and then get them to look again at what they’ve written and make changes.
More imaginative brainstorming and planning
Getting ideas and planning is a key part of successful writing, but how can we make it seem less of a chore?
Brainstorming an essay using a mindmap on the board is not a new idea, but try blu-tacking a Cuisenaire rod of a different colour to each bubble of the map. Then give groups a set of rods in the same colours and ask them to use the rods to make a visual plan of the essay. Somehow adding a visual and physical element to structuring the essay seems to engage many students more.
Or try moving from speaking to writing to get ideas. For example, if you want students to write a letter of complaint, try roleplaying a complaint first, or if it’s an informal letter, try it as a phonecall first. This should help learners to anticipate what their audience will want to know or how they might react, which should help with making the writing as effective as possible.
Change who gives feedback and how they give it
As well as the teacher or a partner, experiment with some different models. For example, a recent twitter discussion with @cerirhiannon started me thinking about using ‘carousels’. Put the students into small groups and pass round a piece of written work done by someone in the group (anonymous if preferred). Each group has to give a comment on an aspect which has not been covered by a previous group before passing the work onto the next group. This could be a good way of encouraging students to look beyond surface errors as discussed earlier.
Emphasize the audience
Learners are more likely to want to plan and draft if there is a real reason for writing the best possible text that they can. So using a real life context, such as those discussed in this recent post , can provide some genuine motivation.
Use technology more
Students may not have access to computers in class, but they probably will at home, so you can ask them to consciously use the correction features to make changes, and underline spelling or syntax that the computer has highlighted that they aren’t sure how to correct. You can then focus on these areas in class or individually.
Online corpora, or even google, can also be useful tools for students to check their intuitions about collocations. See this article for more indepth discussion of this.
Add a sense of humour
The notion of process writing can be terribly earnest. You could work on the skills of correcting and redrafting by giving learners, for example, the worst job application letter in the world and asking them to rewrite it so that the person has at least SOME chance of being invited for interview.
Or give learners some real examples of writing from young native speakers. For example http://www.esher.surrey.sch.uk/Default.asp?page=172 and ask them to correct, revise and redraft.
While the traditional staging of a process writing lesson may be something you don’t want to do all the time, the principles behind it are something which could be used effectively in any lesson with a writing focus. You just need to mix it up a little.